Panning the Stream: Summer 2016 Premieres, Round 1

Let the taste-testing begin!

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I’ve been up to my ears in family gatherings, travel, and spotty WiFi this week, but I finally managed to watch enough premieres to compile them into the season’s first Panning post. We’re sticking with the new format I adopted for Spring: I’ll watch every new, licensed full-length show and talk about ’em, then roll them up into “digest” posts divided into three basic categories: “Guaranteed three episodes,” “On the fence,” and “Probably dropped.”

If a title catches your eye, you can find out where the show is streaming by using this handy search engine. Now hit the jump to ding the bell for Round 1—FIGHT!

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Tanaka-kun is Always Listlessly Defying Appearances

Delinquency is only skin deep.

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Welcome to Part 3 (of probably 5?) in my ongoing Tanaka-kun mini-essay series! This time we’re taking a look at how the show uses its characters to contrast appearance with reality, mining humor and conflict out of social expectations and preconceptions. And, yup—as promised last week, this has to do with gender norms. Hey, I gotta stay true to my #brand, right?

I mentioned last time that social norms are a subtle, pervasive source of conflict in Tanaka-kun, and in some ways all of our main high school characters are dealing with the fact that they don’t quite fit into the tidy roles they think they should. There’s a constant push and pull between how a person sees themselves and how other people see them based on their appearances, and these assumptions are often tied to ideas about masculinity and femininity.

General discussion of events from Episodes 1-10 below the jump.

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orange – Episode 1 (Meet ‘n’ Greet)

Prepare your heart for a summer full of feelings!

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Now that my schedule has settled down somewhat, I’m back to blogging weekly for the good folks at Anime Evo again! While I’m still not 100% certain if I’ll be covering orange or something else, this lovely, vibrant, pensive premiere bodes very well for the show’s chances. Either way, it definitely deserved a few extra words.

Click here for the full meet ‘n’ greet on Anime Evo!

Glancing Upstream: Spring 2016 Retrospective and Review

Gold and silver and bronze and on.

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Spring might have been lacking the standout masterpiece and shoujo gem that Winter had (Shouwa Genroku and Snow White, respectively), but it more than made up for it in sheer quantity, offering up a variety of lively, stylish, and just downright fun series. In that respect, this season feels a little like last summer: I’m not sure how many of these shows are gonna make my 2016 Top 10 list, but I enjoyed watching just about all of them.

In other news, I think this is the last time you’ll see my Totally Arbitrary Rankings used in a season retrospective. More and more I’m realizing I don’t love the ranking system–it forces me to list shows one after the other even if I think multiple shows may have all been equally worthwhile for very different reasons. It’s reductive and misleading but, more to the point, not that fun. So enjoy the numbers for today, bid them a fond (or not) farewell, and look forward to a new format from here on out.

For now, though…

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Tanaka-kun is Always Listlessly Growing Up

Taking the staircase elevator to adulthood.

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Part 2 (of ??) in my Tanaka-kun is Always Listless mini-essay series! This time I thought we’d veer away from specific cultural influences and talk about what the show does in terms of addressing adolescent concerns. ‘Cause what would this blog be without some good old-fashioned coming-of-age narrative chatter?

Given our high school setting, it’s not surprising that Tanaka-kun‘s cast spends a lot of time dealing with the bumpy transition from child- to adulthood. Sometimes this is about “grown-up” concerns like marriage or personal independence, but usually it’s more general than that, as characters struggle to find a balance between who they were/are, who the world thinks they should be, and who they want to be. In other words, it’s all about changes.

Detailed discussion of Episodes 2 & 4 and general references from the rest of the series below the jump.

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Moon Crisis Make Up! How Chiaki Kon Saved Sailor Moon Crystal

A miracle romance for the ages.

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Sailor Moon Crystal premiered to a lot of excitement, but the hype train soon ground to an unceremonious halt thanks to the show’s poor production values, breakneck pacing, terrible questionable changes to the source material, and general lack of energy. Some fans hung on. Many jumped off. With no real nostalgic attachment to the franchise and a ’90s anime I was enjoying much more, I wound up in the second group.

Then the Season 3 (“Death Busters Arc”) announcements rolled out: the show was moving from a bimonthly online (ONA) schedule to a weekly TV one, getting both a new series director (Chiaki Kon) and character designer (Akira Takahashi), and giving itself a Moon Prism Makeover. The hype train let out a low, tentative whistle. Curious but not all that optimistic, I gave the season premiere a try, and was shocked to discover it was actually…fun? Against all odds, Kon and her staff have breathed life into an adaptation that was dead in the water, thanks to a few simple changes that made a huge difference.

Click here for the full post at The Mary Sue!

Tanaka-kun is Always Listlessly In The Moment

Zen and the Art of Laziness?

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I’m trying something new this time around: A sequence of li’l essays about a single show viewed through different lenses. This is Part 1 (of ??) in a series on Tanaka-kun. And what easier, more accessible topic to start us off with than art, atmosphere, and historical/cultural influences? (She said, weeping onto her keyboard.)

As the above screenshot playfully notes, Tanaka-kun (in addition to being a cute, clever, sleepy YA comedy) has a cheerful relationship with Zen Buddhism and the Taoist philosophy that influenced Zen. While I wouldn’t say the show is overtly religious, I do think there’s a Zen spirit that inhabits its humor, art design, stories, and themes, and I wanted to spend some time chatting about those connections.

Vague references to events from Episodes 1-6 below the jump.

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Glancing Upstream: Winter 2016 Retrospective and Review

Something something “the winter of our discontent.”

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This is my shortest retrospective to date, thanks to a pretty dismal season in terms of incoming series. Some of that had to do with my own time constraints and self-imposed ranking rules (there are four shows in the “unranked” category this season, three of which I’d happily recommend to others), but some of it had to do with there just not being a lot that caught my eye this time around. Still, the top two were pretty special, and if an anime season can give you even one incredible series, then it’s hard to call it a true disappointment, I s’pose.

If there’s one positive trend to take from this season, it’s that we’ve got some good artists and directors in the business: people able to take into account all elements of a production and elevate the source material, whether that’s from “meh” to “good” or “good” to “great.” So take heart! The blueprints may be rough at times, but at least they’re in the hands of skilled builders.

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Showa Genroku Rakugo Shinju – Episode 13 (Season Finale)

I’ve never been so happy to write the word “season” instead of “series” into a post title before.

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In case you missed the good news, Showa Genroku is getting a second season, something I never thought I’d be writing and am positively giddy to be doing so. Given that the manga is scheduled to wrap up sometime this summer, it’s likely the production staff had this planned out as a complete, two-part adaptation right from the start. Thank the anime gods for risk-takers and passion projects, that’s all I can say.

Knowing we’re only at the halfway point takes a lot of pressure off of me, too, as I don’t need to try to tie it all together or judge it as a complete work just yet. There’s lots of story left to tell, and while SGRS Act I set up one complicated, tragic stage, this season finale injects a powerful shot of hope into our story, suggesting that Act II may just find a way to give its current players a more optimistic ending after all.

Click here for the full post on Anime Evo!

Snow White with the Red Hair – Episode 24 (Series Finale & Review)

And so we turn the final page on our cozy little fairy tale.

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With a surprise messenger and a moonlit conversation, Snow White comes to a warm, heartfelt conclusion, providing a finale that’s open-ended but also satisfyingly complete. As is the norm, I’ll spend the first half of this post providing a spoiler-free review for those curious about the series, and the second half talking about the episode itself. Hit the jump for glowing words and screenshots alike.

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