Take a load off.

After spinning its wheels and rushing its art last week, I’m relieved to say that orange‘s production schedule and story both seem to be back on track (pun very much intended). The relay race is here at last, and with it the kids find time to directly address their own feelings and one another.

orange isn’t what I’d call a subtle series and, as I’m experiencing it a second time, I’m realizing exactly how laser-focused it is on the importance of community and “sharing the weight” of our troubles with others. There are times when that kind of straightforwardness might irk me, but when it comes to addressing difficult, often-avoided topics like grief and depression–and especially when directing that discussion at a younger audience–a little thematic bludgeoning might be just what the doctor ordered.

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Alas, poor production schedule…

There’s a version of this episode, somewhere, that’s a perfectly fine bridge episode, unexceptional but competent, hinting at future conflicts, furthering a few character arcs, tossing in some adorable friendship shenanigans and cuteness, and setting us up for the big relay race (how have we still not gotten to that?!) next week. But we didn’t get that version. Instead, we got a distractingly low-quality nightmare of an episode, full of off-model shots, choppy animation, and some truly jarring scene transitions. Simply put, the second half of orange looked awful this week.

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Five heads are better than one.

Even though a good portion of orange focuses on realism and day-to-day high school events, I don’t tend to think of it as a “slice-of-life” because it has such a clear end game and driving story line (save Kakeru/change the future). The constant sense that we’re moving towards a tangible goal helps orange maintain tension even during its most mundane arcs and conflicts, but it can also serve to make episodes like this one feel frustratingly slow-paced, as if we’re just marking time before the next major “Kakeru event flag.”

That isn’t to say the quieter stories don’t serve a purpose, or that the cast aren’t likable or interesting enough to carry us through everyday events (I love hanging out with these kids, personally). orange‘s narrative arc is a kind of rise-and-fall, a sequence of highs and lows for Kakeru and, by extension, the rest of the cast. Which, while it can lead to some lulls in the story, is also a pretty excellent depiction of grief and depression. Healing isn’t a constant rising line; it’s a series of crests and troughs, some created by obvious triggers, some by far more obscure ones.

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Guess we’ll be putting out those birthday candles with a steady stream of tears, then…

It’s Birthday Week on orange, and with it comes a mess of conflicting emotions, much like the holiday itself. We tend to think of birthdays as a celebration of life, marked with parties and packed with presents and frosted goodies, and they often can be. But there’s also an undercurrent of sadness and uncertainty to them, as they’re both a reminder of what’s passed and what might be waiting ahead. Life and death are as intertwined as the past and the future, and orange‘s birthday story line is painfully aware of that.

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Getting by with a little help from your friends.

When you say “shojo,” a lot of people’s first thought is probably “romance,” but what drew me to the genre as a kid and what continues to bring me back to it is that it’s as much about the many kinds of relationships that can develop between people as it is about falling in love. orange carries on this tradition, showcasing Naho and Kakeru’s growing love story side-by-side with the positive, easygoing friendships that tie The BFF Sextet together.

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