Give me something to sing about~ ♪
I knew nothing about either of these series and was expecting even less than that, but both have managed to hook me with a hefty dose of the ridiculous. Although, arguably, that’s only intentional for one of them. Read on to learn about fall’s surprise guests, and to hear why both have managed to sink their silly hooks right into my heart.
SHIELD faces their greatest challenge yet: playing well with others.
A simple recruiting mission goes awry, two secret organizations make for uneasy bedfellows, personal priorities conflict with professional duties, and a character I liked may have exploded. Yep. Just another day at SHIELD HQ.
Can these do-gooders power their way onto the watchlist?
If mecha is a taste I’ve never quite acquired, then superhero is one that I find myself enjoying more with each year. Give the MCU ample credit for that, as well as new western lady-led comics like Ms. Marvel or The Unbeatable Squirrel Girl, for sure, but magical girls and powered rangers have had a place in my heart for a while now, too, and that place grows a little warmer all the time. So it’s no wonder that both of these shows received glowing premiere reviews not too long ago. As for whether or not that glow has worn off… well, that requires a few more paragraphs than this one.
Time to mech it or break it.
Some day I’ll do some serious soul-searching and figure out exactly what it is about the mecha genre that generally doesn’t appeal to me. Something about the way they handle militarization and aggression, maybe? I’ll keep thinking about it. Whatever it is, it means both of these series were going to be something of a hard sell for me regardless of general quality. I needed characters I could latch on to or a plot I could sink my teeth in. So, did either of these make the cut, or at least do well enough that I’d recommend them to people who do generally enjoy mecha series? The thrilling answers below!
The characters’ worlds may be unraveling, but Noragami‘s narrative is as tightly woven as ever.
Three episodes in and Noragami shows no signs of slowing down its full-steam-ahead plotting, yet there’s never a moment where things felt rushed or confusing. This is partly thanks to the wise inclusion of short lulls between the conflicts, moments that allow the cast (and audience) to digest and react to the conflict that just took place, but it’s also a testament to the show’s confident, character-driven storytelling style. Events don’t just happen because the plot needs them to—individuals make them happen, interacting with and affecting one another in ways true to their established strengths and flaws alike.
Simply put, this show’s firing on all cylinders right now, and it makes me groan every time the end credits roll and I have to wait another week to see how Bishamon and Yato’s rapidly accelerating crises are going to turn out.
Forget Freytag pyramids—this dramatic structure is all about Amazon arcs.
Redemption arcs, that is, and wouldn’t you know it, Sailor Moon pulled off another magnificent one. If I had to name the single, primary element of anime that got me to fall in love with it, it’d be its interest in telling stories like these: about sympathetic antagonists and all-too-human villains, and the underlying belief that even those of us who seem the most hateful or hopeless can and often do learn, grow, and improve.
It was just so different from the all-good and all-bad morality of the Disney films and most of the cartoons I watched growing up, and that interest in nuance for both heroes and villains struck a chord of truth in Preteen Me that’s resonated ever since. There’s value in creating ideal characters for audiences to seek to emulate, to be sure. But for my money, the stories about flawed, selfish people nevertheless learning how to move towards empathy and altruism are the really uplifting ones.
That was a long way of saying these episodes were great and I loved them. The even longer way of saying that is below the jump.
Sparks fly. It’s quite shocking.
SHIELD has spent the past two seasons developing and solidifying its central cast into a group of people who, short-sighted and secretive though they can often be, are genuinely trying to do the right thing by both the world and one another. We’ve seen how much they care about each other (often to a fault), and it makes any tension between them feel like family members fighting, any downtime like hanging out on the couch with your own friends, and any awkwardness like you just stuck your own foot in your mouth.
And this is a very good thing, because it means even episodes like this one where the central story moves so fast it barely makes sense, never mind resonates, can still mostly work because of the interactions and emotional beats woven into the various plots. So while I’m still struggling to give anything remotely resembling a damn about Lincoln (I swear I’m trying, you guys, I really am!), I’m fully invested in our SHIELD family, and that holds the show together even when a few seams start to stretch like they did this week.
♪ Welcome back, welcome back, welcome back~ ♪
While the fall premieres haven’t been quite as dismal as I’d originally feared, this is one season where most of my excitement was reserved for sequels, and so far they’ve done a solid job of not disappointing. Two 2014 favorites are back and just as fun as ever, campy vampire fiction makes its triumphant return, and we head to a familiar setting after nearly a decade away.
This season’s a little odd in that we have some sequels in the traditional sense (i.e., stories that pick up right where the previous season left off) as well as some “sequels”: stories taking place in the same universe but with different characters, locations, and time lines, making them fairly accessible to newcomers. I’ve divided them up accordingly below, so hit the jump for familiar faces, or locations, or both.
Throw another potential gold nugget in the season’s li’l pile, at least.
I sat on this post for a bit because there are still technically a couple premieres left, but none of them are available for legal streaming as I write this and I’ve got a packed weekend ahead of me, so I figured I’d go ahead and queue this up now. Consider it the last batch of new fall shows—I’ll throw up a post tomorrow for the extensive number of sequels (and “sequels”) I’m watching, and that’ll wrap up for the madness that is premiere week. If any of the stragglers catch my eye, you’ll hear about it in a Rule of Three.
As for this final batch, it features one of my favorites of the season and two more to add to the stack of unremarkable-to-ohGodwhy LN adaptations flooding our streams this season. Hit the jump for praise and headshakes alike.
We’re just diving right in this season, ain’t we?
It’s another strong (albeit painful) outing for Noragami this week, as various relationships are strengthened, frayed, or shattered altogether, characters confront the tenuous bonds of memory, and a particularly nasty antagonist sets his plans into motion.
Oh, and speaking of that antagonist—well, I pretty much called it last week, but as soon as he started mustache-twirling I realized I story-predicted myself into a predicament. So to clarify something important: Yes, I did start reading the Noragami manga, but I stopped at the end of the Yukine arc, meaning that everything happening in Aragoto is new to me, too. So you don’t need to worry about me giving away any plot points. (And if you have read this part of the manga, no spoilers in the comments section either, please!)
The Josei Next Door 