May the gods be ever in your favor.

It was pretty clear this was going to be the big finale for our half-season-long Bishamon story, and Noragami capped it off in fine fashion. This season really is everything you could want from a sequel, as it brings back all the things that made the first season good (stylish action and music, a great sense of humor, characters you wanted to hang out with, a complex but coherent world with a lot of room for growth, bursts of philosophical or emotional depth) and grows them in unexpected and exciting ways, introducing new characters while also revealing new facets about old ones, and developing them all through conversations and conflicts alike.

The wider and deeper cast has raised the stakes both globally and emotionally, and this finale didn’t disappoint in terms of big, gorgeous fight sequences as well as small, touching character beats. Simply put, Noragami has catapulted from “good” to “great,” and if it can keep this up it’s not only all but locked in as one of my top anime picks two years running, but could very well become one of my favorite shounen adaptations of all time.

So. You know. No pressure, Part 2.

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So I have good news and terrible news.

Another action-heavy episode of Noragami this week, not that I’m complaining: Slick-looking supernatural fight scenes are one of the elements that give this series its appeal, and as usual, they don’t disappoint. Yato and Bishamon continue to duke it out with well-directed choreography under gorgeous skies and along to great background music, the kind of tracks that enhance the scene—adding both tension and a whiff of tragedy—without distracting from it. (I’m looking forward to snagging the soundtrack when it comes out, that’s for sure.)

And lest you think I’ll have nothing to talk about this week, rest assured that “action-heavy” does not mean “plot light.” A whole mess of events went down this week, which brings us back to that good news and terrible news I mentioned before.

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Storm’s a-comin’. A-yup.

We’ve been heading toward this godly showdown since season one, so it’s no surprise that last week’s kidnapping(s) serve as the spark that finally sets the whole thing ablaze. Yato’s on the warpath, Yukine is right there with him, and Bishamon is only too happy to cash in that Revenge Card she’s been carrying for centuries. Too bad they’re all pointing their weapons at entirely the wrong person.

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The characters’ worlds may be unraveling, but Noragami‘s narrative is as tightly woven as ever.

Three episodes in and Noragami shows no signs of slowing down its full-steam-ahead plotting, yet there’s never a moment where things felt rushed or confusing. This is partly thanks to the wise inclusion of short lulls between the conflicts, moments that allow the cast (and audience) to digest and react to the conflict that just took place, but it’s also a testament to the show’s confident, character-driven storytelling style. Events don’t just happen because the plot needs them to—individuals make them happen, interacting with and affecting one another in ways true to their established strengths and flaws alike.

Simply put, this show’s firing on all cylinders right now, and it makes me groan every time the end credits roll and I have to wait another week to see how Bishamon and Yato’s rapidly accelerating crises are going to turn out.

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