I always said I’d write a bunch of words about this series someday. Who knew I’d write them all in one go?
“Humans live in the city, tanuki crawl the earth, and tengu fly through the air. Since the Heian era relocation, humans, tanuki, and tengu have maintained a delicate balance. That’s what keeps the great wheel of this city turning round and round. More fun than anything is watching that wheel spin.”
Right from its opening lines, The Eccentric Family establishes Kyoto as a city inhabited by three groups—tanuki, tengu, and humans—with clearly defined traits and domains. Through first-person narration and character dialog, we’re given a general idea of how each group thinks, feels, and acts. The series then proceeds to spend two seasons quietly but systematically tearing those assumptions apart.
As the story progresses, it challenges its characters’ strict ideas about identity by depicting a variety of individuals who either can’t or won’t adhere to the group they belong to, blurring the boundaries both within and between the three spheres so that it becomes less and less clear what it means to be “a tanuki” or “a tengu” or “a human” at all. Through its colorful world and unique individuals, The Eccentric Family asks us what makes us who we say we are—and wonders how we’d find that answer in the first place.
Did you know? Have you heard? The Josei Next Door has a tip jar!